I actually don't know if I had any real adventures except maybe when speed walking through the festival going from an indoor panel discussion in the Capital building to the book signing tent and back to Capital building for another discussion. But, let me back up to the beginning...
As some of you may know, I live in Memphis, TN. We have no book festival and that's all I'll say about that. The Texas Book Festival is fortunately in a city I already adore and my best friend happens to live there as well.

After a not so cheap plane trip, I'm there and already thinking about how much I'll want to make this stay permanent. The day of the fest my best friend drops me off (mom duties kept her away for a few hours) and I begin to navigate a small section of downtown Austin solo. I was a little emotional (judge me!) at seeing all of the tents, especially the one with the Book-TV sign and the ubiquitous host of the live book festival broadcasts. Hey, I'm 30-something and have never been to a book fest. I was moved seeing shoulders saddled with tote bags filled with books, eternal lines in the Barnes & Noble tent to purchase books for author signings, and eyes scanning the weekend's itinerary then bodies urgently searching for the room of their favorite author's discussion panel. But what was the highlight of the event for me was meeting a fairly new favorite author, Mat Johnson. Now, if you follow my tweets, you already know what went down. But in case you don't....

The first panel I attended was a discussion titled "Wrestling with the Classics" that featured Mat Johnson, Hilary Jordan, and David Liss. They each released this year novels that were takes on literary classics. For Jordan's When She Woke inspiration came from The Scarlet Letter and Johnson wrestled with Poe's Narrative of Arthur Gordon Pym. Each author discussed and answered questions on why and how they approach the respective classic for which they were inspired. As an aside, Hilary Jordan's dystopian novel has a very fascinating premise: Individuals are physically colored according to their crime. The main character is red because she has an abortion which in the dystopian future is illegal. After the panel, I bravely went up to where the authors were seated and introduced myself to Mat Johnson who was very gracious. After a mad dash to the book signing tent, he signed my copy of Pym and suggested we take a picture of which I was all too pleased to oblige. 

After my mad dash back to the Capital building, I enjoyed a great presentation from artist and author Kadir Nelson on his newest children's book, Heart and Soul: The Story of America and African Americans. Of course, I purchased a copy and got it signed for my son. This is when my best friend joined me and we perused and shopped a bit before leaving for lunch.

Later that night, we went to Cheer Up Charlie's in East Austin for the festival's first lit crawl which featured various authors at local venues all in close proximity like a pub crawl. The event at CUC was called Five Things and the invited authors from the fest had to prepare an original piece based around a spirit filled beverage. The chosen five were Erin Morgenstern, Dominic Smith, Hillary Jordan, Mat Johnson, and Kathleen Flinn. I have to say I was most impressed with Dominic Smith's piece which incorporated gin and I was not familiar with this author before that night. His writing was very vivid and captivating. Johnson was hysterical just as he is on Twitter. He wrote a lively piece about a teenage boy who was basically tired of masturbating and ready for his first real sexual experience which then explodes into major drama. I'm having technical difficulty with the crude snippet of video I took on my cell phone. But trust me, it was hilarious.

That brought my adventure with the Texas Book Festival to a close. I had a blast during that and the rest of my time in Austin. I'm already looking forward to next year's festival and hopefully I'll be able attend at least one other (*ahem* Harlem Book Festival). 

I like to think of Martha Southgate as an author's author. She's not only a wonderful writer but she's well read and well spoken. BGBS is delighted to share some insight into the author of Third Girl From the Left, The Fall of Rome and, the recently released, The Taste of Salt. And be sure to follow @mesouthgate.


What fictional character do you most identify with and why?The first character that leaps to mind is Harriet M. Welsch, the protagonist of Harriet The Spy, which I read when I was 10 or 11 and never got over. Harriet is smart, kind of arrogant, intensely observant, funny and altogether unforgettable. She set a high standard which I'm not sure I've lived up to. But she remains a role model--especially in her unblinking acceptance of ambiguity and the realization that complete honesty may not always be the best policy.   

How do you live "quirky brown"? (quirky brown is my year long reading challenge focused on fiction depicting atypical Black experiences, like your work!) 
A big part of my work is to posit the idea that there are no "atypical" black experiences. We live a million different ways and do a million different things. To define blackness or brownness as a set of behaviors or beliefs is I think, very problematic, especially at this time in history. This is not to say that there isn't an African-American culture--just that it shouldn't and needn't be a straitjacket. So I don't think I can really answer that. I live brown, as myself. I don't know if it's all that quirky.  

What books would readers be most surprised to find on your bookshelves? 
I have a number of Stephen King books. I think some of his early work is really compelling, entertaining and scary in a good way. Carrie,The Shining, Misery--all have a lot going for them. I particularly like the "revenge of the nerd" theme that he so often returns to.  There have been times when I have found myself re-reading "Carrie" for comfort at stressful times (a little weird I know but hey...writers are weird) . I'm also a big fan of The Best of Everything by Rona Jaffe--the template for Sex and the City and its ilk written way back in the late '50's. 

Who's your favorite quirky brown author and why? 
Of course, whenever people ask me this, I go immediately blank. So I'll name a recent book by a young novelist who I think works with (and ignores) race in an interesting way: Open City by Teju Cole. The character in this book is a young Nigerian-American psychiatrist. He is of course aware of his race but it's not the main thing on his mind. I think that's true of a lot of us these days and it's something I find interesting in his work (besides how beautifully written it is). 

What's your favorite quirky brown book and why? 
I think I'd have to say ZZ Packer's Drinking Coffee Elsewhere. When I read the title story in the New Yorker a number of years ago I said out loud--"That's me!" Finally some fiction that dealt with the experience of being in that all white elite world when you weren't all white and/or elite.  Most of the other stories in the collection also deal with characters who are alienated for one reason and another, sometimes race, sometimes not. This resonated very deeply with me. And I know you just asked for one book but I've gotta give a quick shout-out to Junot Diaz's The Brief Wondrous Life of Oscar Wao. I love that book's enormous ambition and reach and it's willingness to let its nerd flag fly high. 
What 5 songs would you consider the soundtrack to encompass your literary work?
Just My Imagination (Running Away with Me) The Temptations
Theme from Shaft Isaac Hayes
Nothing Compares 2 U Prince
All By Myself Eric Carmen
How can you mend a broken heart?--the Al Green version, not the Bee Gees 

What 5 songs would you consider part of your life soundtrack? 
Born to Run Bruce Springsteen
I Want You Back, The Jackson 5
A Hard Day's Night The Beatles
When Did I Fall In Love? Audra McDonald
Yeah! Usher 

Which, if any, of your works would you like to see in a film adaptation?
I'd love to see any of them in film and two of them (The Fall of Rome and Third Girl From The Left) have been under option for some time. I think Third Girl would make a really visually interesting film with all the different eras and beingpartially set in the film industry itself.  But like I said--either, both--it's all good to me. I'd love to see The Taste of Salt made too. I should add--I'd like to see them made into good movies. A dear friend of mine had his book made into a  bad movie and even though he tried to detach, it was hard. I can't say I'd turn the check down--but should any of them ever get made, I really want them to be good.  

What's next for Martha Southgate?
A nap. I am writing this as I recover from a cold that really knocked me out. Then I'm off on more book promoting gigs--two conventions and a reading in Cleveland on October 20, then an appearance at the Books By the Bank festival on the 22nd. After that? I'd really like to make my way into some new fiction. I've got some ideas--they need some time and attention from me. I look forward to giving them that.